An Ideal Husband Review At Amazon.
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An Ideal Husband Review At Amazon..
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“An Ideal Husband,” while not entirely faithful to the Oscar Wilde play of the same name, is an delightful period film with plenty of hastily dialogue, honorable actors and blooming costumes and region pieces.
Sir Robert Chiltern (Jeremy Northam) seems to have it all — a flourishing career in Parliament, his lovely and perfect wife Lady Gertrude (Cate Blanchett), and the universal respect given to a man with a perfect reputation. He has a vivacious sister (Minnie Driver) and is pals with a charming, womanizing, ironic and very bored playboy, Lord Goring (Rupert Everett) .
But when a definite Mrs. Cheveley arrives in London from Vienna, things remove a sudden turn for the worst. Charming and cultured, she’s also devious and cold-blooded. And worst of all, she has Robert’s dirty shrimp secret, a financial scam from years ago. She’ll give him the proof of his misdeed, but only if he sacrifices his principles and supports the Suez Canal motion. Otherwise, she’ll construct the letter public and rupture his marriage and his career. It’s up to Lord Goring to catch his pal out of anxiety…
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“An Ideal Husband” is an delightful and witty play, with a set that twists proper up to the final scenes and a genuinely romantic subplot. (As an extra bonus, we peruse the characters watching the play “Importance of Being Earnest” — another Wilde play) The view of morality, payback for one’s sins, and the power of words is remarkable more spicy than the typical period-dress drama.
The script is quite well-written, well-paced except for a few exceptions. In one early scene Everett rattles off a few witty phrases; the predicament is that they feel strung together and flung out honest to expose “Peruse? This is a witty, ironic movie!”. Oscar Wilde’s witticisms should not be delivered in a monotone. The costumes are stunning, simply stunning, but thankfully never overwhelm the actors. Cate Blanchett’s gowns in particular are beautifully-made. The interiors, furniture and costumes are all very detailed in the manner of “Age of Innocence.”
Jeremy Northam is quite estimable as Robert, a guy torn between self-preservation and his hold scruples; Cate Blanchett is outstanding, giving her character evident flaws while making her entirely, completely sympathetic. Rupert Everett has some flat moments, especially advance the beginning (he also has zero chemistry with Driver), but overall is acceptable as a clever playboy whose ambition is to do nothing at all. Julianne Moore is honorable as well, making Mrs. Chevely utterly slimy and charming. Minnie Driver is a predicament, though. She seems to be completely befuddled by her historical dialogue (her witty lines descend completely flat and none of them seem natural, like Blanchett’s are) and moves like a too-quick puppet.
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No person is perfect, and the movie isn’t either. But Blanchett, Moore and Northam are superior and the movie is a visual feast. A respectable diversion.
One may wish to glance this movie many times, for there are witticisms galore, so noteworthy so that one can hardly support up with them. While laughing at one, another takes state, and so on. The dialogue is glittering.
This is the greatest production of an Oscar Wilde play I have ever seen, and leaves me on pins and needles waiting for the release later this year of The Importance of Being Earnest because it also stars an actor who seems born to originate in Wilde’s plays/movies: Rupert Everett.
The performances: fabulous all. Rupert Everett’s work nears the genius level. Jeremy Northam as a not-so-perfect parliamentarian is big. John Wood as his father stands out. And there are the ever-so-essential ladies: Cate Blanchett as Northam’s wife (would you possess she is Australian? ), who believes she has a perfect husband. Julianne Moore as one of the most charmingly ghastly women ever to grace the cloak (would you acquire she is from North Carolina? ), and the very strong presence of Minnie Driver (yes, she actually is from England) . All together, they accomplish an effervescent champagne of a film.
The perfect procure out they are not so perfect. The expecters of perfection come by out they themselves are also not so perfect. Treasure finally lowers its standards to include the imperfection of the beloved. Even the loser at evildoing turns out to have an unexpected side to her. This is the film’s theme. The actors and the director of this film, however, ironically bring this film stop to, if not at, the peak of perfection.
The final scene is an ode to joy. Survey it and have fun!
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